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Der sensible Chiron wächst bei seiner cracksüchtigen Mutter in einem heruntergekommenen Armenviertel von Miami auf, das von Drogen und Gewalt geprägt ist. Ausgerechnet bei dem Drogendealer Juan findet er Verständnis und Geborgenheit. Als. Moonlight ist ein US-amerikanisches Filmdrama von Barry Jenkins aus dem Jahr , das auf dem Theaterstück In Moonlight Black Boys Look Blue von Tarell. Moonlight Classic Seiser Alm ist ein Langlauf-Nachtrennen, welches alljährlich auf der Seiser Alm in Südtirol stattfindet und ausschließlich im klassischen. Seit Beginn der Veranstaltung hat das Interesse daran kontinuierlich zugenommen, sowohl bei den Teilnehmern dieser einzigartigen Veranstaltung, als auch. Moonlight racconta la crescita di Chiron, che cerca faticosamente di trovare il suo posto nel mondo. Un film intimo e poetico sullidentita', la famiglia, lamicizia e.


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Er verweist in seiner Kritik auf die Geschichte der Schwarzen in Amerika, die mit Unterwerfung begonnen hatte. Jenkins passte hierbei McCraneys Vorlage an, der darin durchgehend in der Zeit vor- und zurückgesprungen war. Nach einer Stärkung kann man den Abend gemütlich im Festzelt ausklingen lassen und wer noch Power hat, der kann auch noch das Tanzbein schwingen. FSK 12 [1]. National Society of Film Critics Awards Es ist einzigartig durch seinen überwältigenden Geschmack, der am Gaumen eine leicht würzige,bittere Note verleiht. Da findet der bekannte Skimarathon bei Vollmond statt, der seit Jahren einen fixen Platz im Eventkalender hat.

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Moonlight - Ariana Grande (Lyrics)

Chiron's childhood friend Kevin tells him about a detention he received for being caught having sex with a girl in a school stairwell, and Chiron later dreams about Kevin and the girl having sex in Teresa's back yard, waking with a start.

One night, Kevin visits Chiron at the beach near his house. While smoking a blunt together, the two discuss their ambitions and the nickname Kevin gave Chiron when they were children.

They kiss, and Kevin gives Chiron a handjob. The next morning, Terrel manipulates Kevin into participating in a hazing ritual. Kevin reluctantly punches Chiron until he is unable to stand before watching as Terrel and other boys savagely attack him.

When the principal urges him to reveal his attackers' identities, Chiron refuses, saying that reporting them will not solve anything.

The next day, an enraged Chiron walks into class and smashes a chair over Terrel's head. The police arrive and arrest Chiron for assault, and he is sent to juvenile hall.

Now going by the nickname "Black," an adult Chiron deals drugs in Atlanta. He receives frequent calls from Paula, who asks him to visit her at the drug treatment center where she now lives.

One day, Kevin calls, inviting him to visit him should he ever come to Miami. While visiting Paula, Chiron breaks his silence.

His mother apologizes for not loving him when he needed it most and tells him she loves him even if he does not love her back.

The two tearfully reconcile before Paula lets Chiron go. Chiron travels to Miami and visits Kevin at his workplace, a diner. When his attempts to probe Chiron about his life result in silence, Kevin tells him he's had a child with an ex-girlfriend and, although the relationship ended, he is fulfilled by his role as a father.

Chiron reciprocates by talking about his unexpected drug dealing, and asks Kevin why he called. Kevin plays a song on the jukebox that made him think of Chiron.

After Kevin serves Chiron dinner, the two of them go to his apartment. Kevin tells Chiron that he is happy despite the fact that his life didn't turn out as he had hoped, resulting in Chiron breaking down and admitting that he has not been intimate with anybody since their encounter years ago.

As Kevin comforts him, Black remembers himself as Little, standing on a beach in the moonlight. The theater piece was shelved for about a decade before it served as the basis for Moonlight.

After the release of his debut feature film Medicine for Melancholy in , Barry Jenkins wrote various screenplays, none of which entered production.

Although the original play contained three parts, they ran simultaneously so that the audience would experience a day in the life of Little, Chiron and Black concurrently.

The result was a screenplay that reflected the similar upbringings of Jenkins and McCraney. The character Juan was based on the father of McCraney's brother, who was also a childhood "defender" of McCraney, as Juan was for Chiron.

Jenkins looked for financing for the film during , finding success after sharing the script with the executives of Plan B Entertainment at the year's Telluride Film Festival.

Dede Gardner and Jeremy Kleiner of Plan B Entertainment became producers of the film, [15] while A24 undertook to finance it and handle worldwide distribution, which marked the company's first production.

Different actors portrayed Chiron and Kevin in each chapter of the film. Ashton Sanders was cast in the role of teen Chiron. Naomie Harris was initially reluctant to portray Paula, stating that she did not want to play a stereotypical depiction of a black woman.

She related her experiences of bullying to the addicts' attempts of escaping trauma. Romanski proposed Juan be played by Mahershala Ali , who had a role in one of her previously produced films, Kicks.

Jenkins was hesitant when casting Ali due to his role as Remy Danton in House of Cards ; however, he was convinced after witnessing Ali's acting range and understanding of his character.

Filming began on October 14, , in Miami , Florida. Liberty Square , a housing project located in the neighborhood of Liberty City , was chosen as one of the primary locations as both McCraney and Jenkins grew up in the area.

It was the first time someone had come to their community and wanted to represent it onscreen, and since Barry Jenkins had grown up in that area, there was this sense of pride and this desire to support him.

You felt this love from the community that I've never felt in any other location, anywhere in the world, and it was so strange that it happened in a place where people were expecting the complete opposite.

During filming, Jenkins made sure that the three actors for Chiron did not meet each other until after filming to avoid any imitations of one another.

Jenkins worked with cinematographer and longtime friend James Laxton , who previously shot Medicine for Melancholy.

As a result, the three chapters of the film were designed to imitate different film stocks. The first chapter emulated the Fuji film stock to intensify the cast's skin tones.

The second chapter imitated the Agfa film stock, which added cyan to the images, while the third chapter used a modified Kodak film stock.

The score of Moonlight was composed by Nicholas Britell. Britell applied the chopped and screwed technique from hip hop remixes to orchestral music, producing a "fluid, bass-heavy score".

The soundtrack, released on October 21, , consists of eighteen original cues by Britell along with others by Goodie Mob , Boris Gardiner , and Barbara Lewis.

Peter Bradshaw of The Guardian , lists "love, sex, survival, mothers and father figures" among its themes, particularly the lack of a nurturing father.

A major theme of Moonlight is the black male identity and its interactions with sexual identity.

The film takes a form similar to a triptych in order to explore the path of a man from a neglected childhood, through an angry adolescence, to self-realization and fulfillment in adulthood.

This particular story of Chiron's sexuality is also seen as a story of race in a 'post- Obama ' era. The film amalgamates art film with hood film in its portrayal of African-American characters on-screen.

This specifically deals with theme of recuperating identity, especially in terms of blackness. The characters operate in an urban working-class city in Florida but are portrayed through art house conventions to create a new space for black characters in cinema.

This mirrors Chiron's own odyssey to learning who he is, as he constantly struggles with trying to find some essentialism to his identity, yet consistently fails in doing so.

The triptych structure helps to reiterate the fragmented personality to the film and Chiron. The film's co-writer, Tarell Alvin McCraney , speaks on the topic of black masculinity in the film, explaining why Chiron went to such lengths to alter his persona.

He argues that communities without privilege or power seek to gain it in other ways. He says one way in which males in such communities do this is by trying to enhance their masculine identity, knowing that it often provides a means to more social control in a patriarchal society.

In Moonlight , masculinity is portrayed as rigid and aggressive, amongst the behavior of young Black males in Chiron's teenage peer group.

In the film, Chiron is placed in this divide as a Black gay man and alters his presentation of masculinity as a strategy to avoid ridicule because homosexuality is viewed as incompatible with Black masculine expectations.

As young kids, Kevin hides his sexuality in order to avoid being singled out like Chiron is. As Chiron grows older, he recognizes the need to conform to a heteronormative ideal of Black masculinity in order to avoid abuse and homophobia.

As an adult, Chiron chooses to embrace the stereotypical Black male gender performance by becoming muscular and a drug-dealer. Moonlight explores the effects of this felt powerlessness in black males.

As McCraney explains, coping with this feeling often coincides with attempts to overstate one's masculinity, in a way that can easily become toxic.

He says one unfortunate side effect of leaning into masculinity too much is that men no longer want to be "caressed, or nurtured, or gentle," which is why a character like Juan may be puzzling to some audiences.

Chiron's choice to value masculinity over the desire to be loved or caressed becomes evident in scenes like his first sexual encounter with Kevin.

These ideas are related to Omise'eke Natasha Tinsley's essay "Black Atlantic, Queer Atlantic," in which she claims that the slave ships of the middle passage may have allowed for the formulation of queer identities and relationships amongst the black men and women below deck.

She argues the formulation of queer relationships was a method of resistance, providing love and comfort to black people when there should have been none.

Blackness, masculinity, and vulnerability are major focuses of this film. Juan says, "There are black people everywhere.

Remember that, okay? We was the first on this planet. It seems that Juan seems to associate this image with vulnerability, given that he tells Chiron that he eventually shed the nickname "Blue" in order to foster his own identity.

The scenes depicting Chiron in the moonlight are almost always the ones in which he's vulnerable, his intimate night on the beach with Kevin included.

Throughout the film, this dichotomy between black and blue stands in for that between tough and vulnerable, with the black body often hovering between the two.

Water is often seen as cleansing and transformative and this is apparent in the film as well. Whether it be him swimming in the ocean or simply splashing water on his face, Chiron is constantly interacting with water.

However, it is most notable that water is most often seen in the film in times of immense transition for Chiron. Throughout his life, Chiron resorts to water to bring him comfort e.

In the scene where Juan taught Little to swim, he explained to him the duality of water in relation to Black existence, a concept addressed in Omise'eke Natasha Tinsley's Black Atlantic, Queer Atlantic.

The ocean is like a crosscurrent as Tinsley says, that can simultaneously be a place of inequality and exploitation as well as beauty and resistance.

Tinsley describes how, "black queerness itself becomes a crosscurrent through which to view hybrid, resistant subjectivities and perhaps, black queers really have no ancestry except the black water.

The film had its world premiere at the Telluride Film Festival on September 2, The film's poster reflects its triptych structure, combining the three actors portraying Chiron into a single face.

Mark Olsen of the Los Angeles Times referred to it "as one of the most anticipated films for fall". On February 27, , the day after the Academy Awards, Calvin Klein released an underwear advertising campaign featuring four of the male actors in the film.

After the Oscars ceremony, A24 announced that the film would be played at 1, theaters. The website's critical consensus reads, " Moonlight uses one man's story to offer a remarkable and brilliantly crafted look at lives too rarely seen in cinema.

He praised the actors' performances and described the cinematography of James Laxton as "fluid and seductive, deceptively mellow, and shot through with searing compassion.

While discussing the film after its screening at the Toronto International Film Festival , Justin Chang of the Los Angeles Times described Moonlight as "achingly romantic and uncommonly wise," opining the film to be an early Oscar contender.

Chang further wrote: "[Barry Jenkins] made a film that urges the viewer to look past Chiron's outward appearance and his superficial signifiers of identity, climbing inside familiar stereotypes in order to quietly dismantle them from within It says everything.

Writing for The London Review of Books in February , Michael Wood characterized the film as a study of an inherited intergenerational tragedy:.

The film keeps showing us Chiron's handsome, inscrutable face. The silence doesn't tell us anything, it just asks us to feel sorry for him All is not lost, though, because as we gaze at Chiron, we can think of something else: his resemblance to Juan his father figure.

Does it mean that Juan was once a Chiron Not quite that perhaps, but the last shot of the film is of the young Chiron sitting on the beach His wide eyes suggest all the desolation and promise that Juan saw in him at the beginning.

If we started again, would things be different? Camilla Long of The Times wrote that the film's "story has been told countless times, against countless backdrops", and that the film is not "relevant" to a predominantly "straight, white, middle class" audience.

On a list of top ten lists of the decade on Metacritic, it was tied for most second most number ones and second on overall mentions of lists of top ten films of the decade.

Moonlight was listed on numerous critics' top ten lists for At the 74th Golden Globe Awards , Moonlight received six nominations, the second highest of all film nominees.

Beatty later stated that he had mistakenly been given the duplicate Best Actress envelope, for which Emma Stone had won for her role in La La Land several minutes prior.

Due to the confusion of La La Land being incorrectly announced, Jenkins was unable to read the intended speech at the Academy Awards.

Because the film's screenplay was based on a play that had not previously been produced or published, different awards have had different rules about whether it qualified in the original or adapted screenplay categories.

The film is referenced in "Moonlight", a song from Jay-Z 's studio album From Wikipedia, the free encyclopedia. Theatrical release poster.

Nat Sanders Joi McMillon. Trevante Rhodes. This section needs expansion with: a further discussion on technique and process. You can help by adding to it.

July Nicholas Britell. Dowd, The A. Main article: List of accolades received by Moonlight film.

British Board of Film Classification. Retrieved January 20, I point it out because it would be a disservice to our hard working crew if that were the budget of the film.

The budget was roughly 1. Box Office Mojo. Retrieved March 4, The Guardian. Retrieved February 28, June 9, So Far".

Het harde nietsontziende leven van Little, een waardeloze moeder, glansrol van Naomie Harris die we toch van heel wat gemakkelijkere rollen kennen als Moneypenny en Pirates, een omgeving die bruut tegen hem is en hem niet begrijpt, de enige die moeite voor hem lijkt te willen doen is dealer Juan en zijn vriendin.

In het tweede deel is het niet anders, Black heeft het nog steeds lastig in een harde omgeving, geen veilig thuis en wanneer hij dan eindelijk uit zijn schulp lijkt te kruipen en iets van hem zelf ontdekt wordt dat ook weer bijzonder hard in de kiem gesmoord en natuurlijk betaald hij de zwaarste prijs wanneer hij eindelijk een keer voor zich zelf opkomt.

In het derde deel zien we hem terug als iemand die lering getrokken lijkt te hebben van dat ene moment dat hij terugsloeg, en dat dit het antwoord op alles is, getuige zijn getrainde lichaam.

Natuurlijk is hij een kopie van Juan geworden, zelfs het likje aan de lippen iedere keer, want wat voor voorbeeld had hij verder?

De gedachte dat Juan ook een dergelijke jeugd gehad heeft ligt voor de hand. Toch de twijfelende houding over hem zelf, wie hij is, en wat hij is, die blijft spelen Wat valt verder op, de zo gezegde twijfel, de onveiligheid in iedere situatie maar vooral ook dat deze jongeman door zijn omgeving wordt gevormd en is gevormd, ook wanneer hij later met zijn maat zitten te praten, en aangeeft een dealer te zijn, wellicht het beste wat hij zou kunnen zijn, en toch is het niet goed.

Het is nooit goed. Een wonder dat Chiron zichzelf niet durft te zijn, wat een immense worsteling. Goeie film, goed geacteerd, vooral door alle drie die Chiron spelen, Naomie Harris mag ook genoemd worden net als Mahershala Ali.

Dat de film in de prijzen gevallen is geen wonder te noemen, toch raakte de film me niet heel erg. Boeiende film, mooi een keer gezien te hebben.

Onvergetelijke film. De veelzijdigheid aan thematiek: identiteit, druggebruik, kind-ouderrelatie, armoede, opgroeien, vriendschap, seksualiteit e.

Ik vond de film wel wat kort. Had graag wat meer uitdieping van personages of verhaallijnen gezien.

Ik bleef wat verwaasd achter. Van schoonheid, maar ook omdat ik het gevoel had dat er nog veel meer te vertellen was. In mijn ontroering, enthousiasme en al de rest heb ik 5 sterren gegeven, en ik hoop dat het, als bij sommige films, niet wegebt en ik mijn score verlaag.

Ben nogal emotioneel in filmbeleving en punten geven. De dag ervoor zag ik The Hangover, en die krijgt 0,2 meer dan deze.

Bijzonder project van Barry Jenkins. Heel moeilijk te beoordelen. Ik weet niet precies wat ik hiervan moet vinden.

Het was helemaal niet leuk om ernaar te kijken. Het is heel triest om telkens te beseffen dat dit daadwerkelijk gebeurt in onze bizarre wereld.

Mensen die op hetzelfde geslacht vallen horen gewoon hetzelfde behandeld te worden als heteroseksuele mensen. En dan heb je ook nog een verslaafde moeder die je om geld smeekt om weer te kunnen gebruiken.

Het blijft een ijzersterk verhaal maar het heeft mij alleen maar boos gemaakt. Ik weet dat cinematografie kunst is maar ik heb hier gewoon niet van kunnen genieten.

Het camerawerk bevalt mij trouwens ook niet echt. Waarom film je bijvoorbeeld een gesprek tussen twee mannen steeds in een cirkel rond?

Ik kan me voorstellen dat dit project de Oscar voor beste film heeft gewonnen. Maar dat Mahershala Ali de Oscar voor beste mannelijke bijrol heeft gekregen… Serieus?

Die kan niet eens een sigaret roken. Boyhood voor de gekleurde homofiele medemens. Ik vind het weer niks. Ziegler schreef : Waarom volharden sommigen toch in het gebruik van het woord homofiel?

Volgens mij heeft het met politiek correct niet zo veel van doen, maar homoseksueel is volgens mij gangbaar.

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